A couple years ago, Eileene told me of ongoing speculation as to the real name of Shadow, the protagonist of Neil Gaiman’s American Gods. The novel is rooted in the premise that the gods and other characters of myth walk among us, and depend on worship and sacrifice not only to power their miracles, but for their very survival. Shadow is only a nickname, and given the habit among the gods he meets of taking nicknames—“Wednesday” for Odin, “Mr. Nancy” for Anansi, “Low-Key” for Loki, and so on—along with numerous details of Shadow’s own background suggest that Shadow himself is a god or at least a divine hero of established myth in disguise, even if disguised from himself. The challenge, then, is to determine Shadow’s real name and/or his mythological identity. Lately, I returned to the challenge, studying the book in short segments, the better to concentrate on potentially significant details which might otherwise be lost in the story’s vast sweep.
This is difficult, not because of a lack of hints, but because of the mixed signals they, and the novel generally, give.
An obvious candidate is Baldur (also Balder or Baldr), the young, gentle, beautiful and widely loved Aesir. The points of comparison are thick through the book, and become increasingly obvious. Shadow is Wednesday/Odin’s son, by Wednesday’s own account. We must take this skeptically, because Wednesday is (inappropriately, in my opinion) treated as a trickster god and a skilled liar by his own admission, but other sources, none entirely beyond question, confirm it. A fortune-telling machine, for example, tells Shadow:
EVERY ENDING IS A NEW BEGINNING.
YOUR LUCKY NUMBER IS NONE.
YOUR LUCKY COLOR IS DEAD.
Motto:
LIKE FATHER, LIKE SON.
thus suggesting Shadow is indeed Wednesday’s son, but also hearkening to Baldur’s misfortune of an early and unnatural death. Near the story’s climax, Loki murders Shadow in a manner mimicking Baldur’s death at blind Hodr’s hand through Loki’s trickery, tied to a stake and stabbed with a transformed wand of mistletoe, which is something akin to a broad hint, with a wink and an elbow in the ribs to punctuate it. The Aesir mourn Baldur’s death and passage into the underworld, Hel’s dominion, where he is metaphorically described as married to Hel, Loki’s wicked offspring who clothes herself as a half-rotten corpse. Shadow’s wife appears as a rotting corpse, as well, kept ambulatory with the magic of a gold coin representative of the sun. (It’s complicated. But trust me: it makes sense in the book.) You can find more similarities if you look, but not necessarily similarities unique to Baldur in world mythology.
On the other hand, there’s plenty against the notion, too. Shadow’s last name is Moon, for example, which you can work out by noting his wife’s name is Laura Moon while his mother-in-law is named McCabe—but the fact has to be worked out, which suggests a deliberate attempt to disguise it in the manner of a mystery writer distracting the reader from a vital clue. There’s no obvious connection between Baldur and the moon. Baldur’s (living) wife Nanna bears no similarity to Laura, by name or otherwise, nor is there any clear link in Shadow’s choice of a griffon to ride on the carousel, or that he should receive dream visions from Buffalo. Shadow is a mortal, born of a mortal woman, unlike Baldur the god, with two gods for parents. Although he learns magic when taught them by gods, mortal heroes do the same in many myths. There’s nothing in Baldur’s history to suggest a temper, or prison, or a lot of other items which are likely mere artifacts of the story at hand, and not hints to Shadow’s identity.
As I say, Baldur is an obvious candidate, but only a candidate on the strength of evidence from the book itself. There’s too much noise from which to extract the signal. If we consider only points of comparison, and not points of divergence, which is necessary if we’re to presume Shadow is Baldur, then similar cases for other candidates can be made, as well.
For a while, I speculated that the Aztec Teotihuacan (literally, “smoky mirror”) made some sense: he is associated with both moon and shadow, and he is a true American god, and not merely an import. I’ve seen attempts to liken Shadow to Prometheus or Raven in a tenuous connection to stealing fire from the sun in the form of that gold coin. At least one professional reviewer, apparently insufficiently familiar with mythology to realize that divine ancestry and sacrifice on a tree do not feature only in Christian myth, identified Shadow with Jesus. These ideas aren’t necessarily wrong, but the evidence for them is a little thin. Still, I couldn’t yet settle on Baldur through my own study, largely because at least one robust alternative remained.
My pet theory was Hiawatha. They are both mortals with divine parentage; Hiawatha traces his heritage through Nikomos—daughter of the moon, Nikomos—and could thus take the surname Moon. Hiawatha is a proper American figure, not an import. Shadow was born in Chicago—on the shores of Gitchee Gummee, by the shining big-sea water—and lived in Eagle Point, Indiana, before starting the story in prison; all the subsequent action happens in Illinois and Wisconsin, always circling that same lake. Buffalo, sacred to plains Indians, speaks to Shadow of his own volition, and not at the machinations of Wednesday; perhaps this is merely coincidence, but perhaps it is a native god looking after his own. Sam, she of the quick eye and frank expression, questions Shadow closely about his heritage, accusing him of being part Indian, belaboring the point as an author might wish to have a clue pushed forward. I would be tempted to toss in Gaiman’s incorrect claim elsewhere that the Song of Hiawatha was stolen from the Kalevala (Only the rhythmic meter came from the Kalevala; the story was Ojibwa in origin.) to draw a connection between Shadow and Vainamoinen, first man of Finnish myth, if I could find reason to consider Vainamoinen the son of Odin or a close facsimilie.
But when you get right down to it, the case for Hiawatha is no stronger than the case for Baldur. Somewhat weaker, to be honest, if not much weaker. Ultimately, I had to abandon my pet theory in the face of Gaiman’s own account: at a press conference, he agreed with a fan’s conclusion that Shadow’s real name is Baldur Moon, confessing that he thought it a bit of a giveaway. Learning this was rather disappointing.
Giveaway? No. While the signs are certainly there for anyone with any significant exposure to Norse myth, there is plenty material to cast Baldur into doubt, of which the above is only a sample. Gaiman plays fast and loose with his mythological similarities, which is just fine for the book as literature, but plays merry hell with the book as puzzle. It’s all a matter of which details you consider important, and which ones you write off as “just part of the story,” which is easy to do when Astarte and Odin and Anansi and others hang out together, occasionally swiping each other’s techniques, and frequently breaking character. For Gaiman, who wrote American Gods, it’s easy to guess which bits the author considers significant. For the rest of us, who do not share his every waking thought, there’s not much to do but take a guess. An educated guess is more likely to be right, but the more educated you are in world myth, the more hesitant any guess must become, as the parallels and contradictions multiply.